Big ep.
James Talia calls up for a chat and a special Raywatch. We go in depth on ‘Who Killed Channel 9?’. Plus News, Quotes, Pork and other other general good stuff.
93 – made to enjoy.
Emotions:
Podcast: Play in new window | Download
Big ep.
James Talia calls up for a chat and a special Raywatch. We go in depth on ‘Who Killed Channel 9?’. Plus News, Quotes, Pork and other other general good stuff.
93 – made to enjoy.
Emotions:
Podcast: Play in new window | Download
US publication TV Guide has just published a list of what they consider to be the top 30 Cult TV Shows of all time.
I don’t know about you but I can’t understand how The Simpsons gets in there but Arrested Development misses out. Then again, they don’t seem to have listed any criteria or even seek to define what a “cult” show might be.
Of course, magazines have a tendency to create lists in the hope they will be talking points. In that way this list is no different to Who Weekly‘s most intriguining people lists. Similarly, it was probably created in a half-hour meeting with people just shouting names at someone writing them on a white-board.
For your perusal, here’s the list: TV Guide Names the Top Cult Shows Ever
Well, it looks like the money men aren’t afraid to sack some execs and make some real changes around channel 9.
The Nation has obviously been a surprise hit so they’re taking it out of the soft Tuesday night lineup and throwing it into the high profile Wednesday 10:30 slot. I wonder if Mick Molloy will be able to take the increased pressure.
On its last Tuesday night airing, The Nation pulled 548,000 viewers nationwide.
(Josh says: “Read the article from the Age.”)
Ross is away so Josh and Brett get to play – getting down and dirty with funny-guy and Rove writer, Gerard McCulloch.
Golden Age of Television gets all Joss Whedon on yo ass with Buffy and Firefly.
There’s a couple of big calls as we have a chat about new variety pilots at 7 and speculate on which one will win out.
Rounded off with news and Pork, this week’s Boxcutters is a great part of any televisual diet.
Go get some:
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Thanks to our European correspondant for putting me onto this.
Seven just announced the second half line up which includes the new series of Kath & Kim and this interesting bit of news:
Seven’s Director of Programming and Production, Tim Worner said: “From the feedback we’ve been getting from fansites and blogs, the message has been very clear – now from Seven we’re sending a message back – the waiting is over.”
“We’ll be running Prison Break and Heroes as close to their US telecast dates as practically possible.
“Sure, we have to change the way we take delivery of the materials but it’s more than that – we have to change the way we think and the way we sell these shows and at Seven we’ve shown we can do that.”
Has somebody hit them on the head and knocked some sense into them?
IceTV made its way into the Boxcutters news a lot in the past and this week Marc Edwards from the electronic program guide company comes in to tell us all about EPGs, PVRs and the stoush with Channel 9.
In a controversial Golden Age of Television we look at Six Feet Under.
Presents abound in I Don’t Buy It and there’s some Letters to Boxcutters as well as the regular looks at news, ratings and a small helping of Pork.
It’s episode 91, divisible by 7:
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In the typical way of Telstra, Australia’s former public telecommunications organisation is proposing rolling out infrastructure that is already outdated in other countries. While they try to sell the dream of Fibre-to-the-Node (FTTN) technology as the latest, greatest internet connectivity, countries including Japan and the US are running the fibre-optic cables right up to the front door of users, giving massively more bandwidth than is possible through FTTN.
From The Age’s Business Day, here are a few interesting tidbits on Telstra’s anti-competitive assholery:
PHIL Burgess has again shown that he is not across the facts of broadband in this country, or continues to deliberately distort facts and reality to the point of completely misrepresenting the situation.
….
More recently, Telstra executives said the company would not give anyone else the information needed to build a fibre network. Then they said that Telstra had locked up the contractors that can build a fibre network. And there have been threats of suing the Government, the Australian Competition and Consumer Commission and the G9 companies if they were granted access to the copper sub-loop to interconnect their network.
….
But why does that not bother Burgess and his fellow Telstra executives? To people in the telecommunications industry it is clear. The purpose of Telstra’s FTTN scheme is to strand and torch the investments of its competitors. It is a tactic designed to totally distort competition and restore monopoly. It’s not about delivering broadband benefits to consumers. Telstra’s plan is to remove certainty around infrastructure investment decisions with the end-game of rendering competitive infrastructure redundant and worthless. The plan has no regard for the interests of consumers.
….
Government policy and the work of the ACCC has led to significant deployment of high-speed broadband by a great number of service providers, including Optus, Telstra and Primus. And consumers continue to reap the benefits of an open and competitive industry. Many consumers already have access to high-speed broadband. This is despite Telstra executives choosing not to release high-speed products. Telstra previously advised it had already built a nationwide ADSL2+ network but wouldn’t release it to the public unless the Government changed some of the laws the Telstra executives didn’t like. These laws have been in place a long time and it’s all credit to the Government for not backing down.
….
It is a fact that competition policy delivers benefits to consumers. Telstra was given custodianship of the monopoly network — a national asset — with the clear understanding that competition required access to that national asset. It was also clearly understood that Telstra would provide access to that national asset on fair and reasonable terms.
The idiots are winning. At least they think they are.
Hot on the heels of Jericho and Veronica Mars, there is now a campaign to save dire, unfunny comedy The Class, with an online petition and an urge to send the network – wait for it – ERASERS! Genius.
Never mind the whole ‘how could anyone even watch The Class, let alone want to save it’ question – shows get axed, it’s a fact of life, deal with it. And if you are going to try and save it make sure the show is something worthwhile, not a show that should never have been made in the first place.
Already I have read breathless ‘Lets do a petition’ talk about Studio 60, ‘It worked with Jericho’. Where will it end?
Maybe we can start looking retrospectively at shows. Gee that Suddenly Susan was a great show, maybe we can send the network lazy susans. Or we can send potatoes to save M.A.S.H. Or drugs to get Miami Vice back.
Any suggestions? Come on people, we have the power…
Lots of good stuff
Lots of News
Lots of Jess McGuire (after lots of time with none)
Lots of anger over Telstra and Sopranos spoilsports
Lots of animated Golden Age of Television
A little Sesame
Lots of pork
Lots of fun
Lots of ways:
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