Commercial Network Websites

While we took our one week break, and probably to keep up with their self-imposed February deadline, Channel 10 launched their new and much anticipated website. I wanted to mention this on the show this week but we ran out of time.

The short review would be “same shit, different shape” but I thought I’d take this time to look at and compare the websites of all three commercial networks.

I’m basing my comments here on the sites www.seven.com, www.nine.com.au and www.ten.com.au

Firstly, let’s talk about what you want from a network’s website. Show information? Tonight’s viewing lineup? Competition information? Annoyingly loud flash-embedded video previews of upcoming shows which start automatically and scare the shit out of you?

I don’t think it’s too much to ask to get to the front page of a TV network’s website and be able to confirm what time my favourite show is going to be on tonight. On Seven it’s some clicks and scrolls away. On the Nine website you have to think that maybe it will be in the entertainment section and then you find that you’re suddenly on the TV Week website and then you still have to click and scroll before you find what you want. Meanwhile the Ten website has the guide just one click away. This sounds good but it’s not. When you get there the guide is actually difficult to use.

This example just adds more fuel to the argument that the networks really don’t understand their audience. Both Nine and Seven have partnerships with internet companies for their websites. At least if you put seven.com into your browser you get to some Channel 7 content but Nine are just being right-royally screwed by their ninemsn partnership. If a viewer is going to a network’s website it could be for any number of reasons but surely one of them is to find out some information about the network. That might be a program guide or some information about one its shows.

Ten have got this half right with their new site but when they’re spending as much money as they are on “web presence” they should get it all right.

Network executives have got to realise that the world has changed and they can no longer force habits on their audience. There is too much choice out there to not give them what they want from the start. A little bit of market research goes a long way on the internet and TV networks have an opportunity to build some brand-loyalty but instead they just see fit to piss it up a wall.

Give me a reason to stop watching TV shows through other avenues and I’ll do it, but sitting me in front of a station promo while rubbing a cheese-grater across my face isn’t going to work. I’m just going to get pissed off.

Boxcutters Episode 75

Goldberg, Goldberg, Goldberg…

Aaaah, the memories. That’s right – tonight after 74 episodes we FINALLY discuss the wrestling!!

So BRING IT!!! It’s Showtime. This week:

We lay the smackdown on some craptacular Crap TV nonsense from Channel 7.

We reveal a huge Trump secret (an exclusive if you ignore all other media reports).

And we bust a chair on some News, before throwing some Quotes and Pork through some tables, but only if you smeeeeelll what the Boxcutters are cooking.

Also this weeks audience poll: Ratings discussion, should we? Ratings yes, ratings no, let us know.

Can You Dig It, Sucka?:

The Best There Is, The Best There Was, The Best There Ever Will Be: send us email

PVR ad watching habits

I’m just listening through to the last Boxcutters episode and found I pledged to reference the report on the stats of viewers watching the ads even with the option of skipping on PVR/DVR/TiVo/Fox IQs, so here it is:
From NY Times
Viewers Fast-Forwarding Past Ads? Not Always
People with digital video recorders like TiVo never watch commercials, right?

Add that to the list of urban and suburban myths.

It turns out that a lot of people with digital video recorders are not fast-forwarding and time-shifting as much as advertisers feared. According to new data released yesterday by the Nielsen Company, people who own digital video recorders, or DVRs, still watch, on average, two-thirds of the ads.

One big reason is that many people with DVRs still tune in to watch about half of their shows at the scheduled start time, meaning they must sit through commercials.

And even when people watch recorded shows later, many are not fast-forwarding through the ads. On average, Nielsen found, DVR owners watch 40 percent of commercials that they could skip over ? perhaps because they like ads, don’t mind them or simply can’t be bothered.

“People are actually playing back more of the commercials than we thought,” said Steve Sternberg, executive vice president and director of audience analysis at Magna Global Media Research, an ad-buying agency. “People are buying DVRs not because they want to time-shift all of their viewing and skip all commercials, but because they want to time-shift some of their viewing.”

While the new data may well be fodder for cocktail party chatter, it also has major financial implications. Largely because many advertisers thought that people with DVRs were not watching their ads, they have not been paying for time-shifted viewing on DVRs. Now the networks could use the new information to try to charge more. And advertisers may begin pressing networks to rethink commercial breaks — maybe making them shorter.

People who have DVRs often insist that they never watch commercials, as if skipping commercials is a badge of honor. And while it is true that some DVR owners probably watch no commercials, others never touch the fast-forward button. Most people are probably in the middle of those two extremes.

“That’s part of the reward of taping: being able to zip through the advertisements,” said Marjorie Elson, a 62-year-old psychologist in Maryland. “But sometimes I do watch them ? only if they capture me.”

TiVo has found that its customers view the last commercial in a break the most, followed by the first commercial. (Viewers sometimes do not start fast-forwarding right away, and they often stop a bit early so they do not miss the next part of the show.) Commercials in the middle fare the worst, said Todd Juenger, vice president and general manager for audience research and measurement at TiVo, which serves 4.5 million of the roughly 15 million DVR viewers.

Nielsen announced the data as part of its preparations to release commercial viewing numbers for every TV program, starting in May. Nielsen, which collects data every few seconds through its set-top boxes, added DVR households to its sample in the last year; its commercial ratings data reflects the total time viewers spend watching ads, including viewing of partial ads, rather than whether ads are watched from start to finish. Advertisers spent upward of $70 billion last year for their TV spots ? more than in any other type of media.

“The cable operators that have the subscribers, the programmers who have the content and the marketers have to get ahead of this,” said Curt Hecht, chief digital officer at GM Planworks, the part of the Starcom MediaVest Group that manages General Motors’ ad buying. “They need to figure out how advertising can remain sustainable and effective in the new landscape.”

Advertising and television executives have not yet figured out which DVR owners are more likely to be commercial skippers, though Nielsen has found that younger people generally skip more commercials and time-shift more of their viewing than older people.

Nielsen has also found that commercials are more often watched during playback if the viewer is looking at the show the same day it ran. Commercial viewing drops significantly over time after the original showing. If advertisers start paying for DVR viewing, one question is whether they will pay just when viewers play back shows within a few hours.

Without DVRs, people can, of course, change the channel, leave the room or not pay attention during commercial breaks, but those activities seem to have only a minor effect on ratings during commercials ? only 5 percent, according to Nielsen data.

“DVRs are really the big X factor going forward,” said Brad Adgate, senior vice president for research at Horizon Media, an ad-buying agency. “People’s DVR behavior is going to drive the marketplace.”

DVRs, which were introduced in 1999, are becoming more popular every year, and the cable operators are increasingly offering the feature in new set-top box packages. Analysts say DVRs are now in 12 to 20 percent of households. DVR owners tend to be wealthier and more educated than the average TV owner. DVR owners tend to have more children, and some own more than one DVR.

DVR owners account for about 6 percent of all TV viewing, but that figure is likely to grow, said Tracey Scheppach, vice president and video innovations director at Starcom USA. “Four of five people use the word ‘love’ when they describe this product, and when you have a product that powerful, it is going to become mainstream,” Ms. Scheppach said.

Starcom USA signed on last month to become TiVo’s first customer for a new monthly rating service in which TiVo will sell viewership numbers for commercials and programs seen by its customers. Companies like Nissan have already bought TiVo data to analyze how often their commercials are fast-forwarded. TiVo has long been tracking what its viewers watch, down to the second. But it is just now beginning to develop demographic data, using a panel of customers.

In some households, children are exposed to TV only through DVRs. Patricia Bowen, 35, a commercial property manager in San Antonio, said she liked being able to control what her children watched by programming acceptable shows on the DVR. She said her family liked to stop fast-forwarding during commercials to watch Apple and Geico ads.

“My son doesn’t understand why other people cannot pause their TV when they need to go to the bathroom,” she said.

Advertisers are well aware that coming generations may be DVR users. Visa decided to use brighter colors in its recent ‘Life Takes Visa’ commercials in an effort to get fast-forwarders to stop and watch for a moment, said Susanne Lyons, chief marketing officer for Visa.

“We’re trying to make a bigger-than-live color statement so when you’re flipping through quickly, the color jumps out,” Ms. Lyons said.

But Visa also decided not to advertise on TV at all in its new campaign for Visa Signature, a card for affluent consumers, in part because DVRs tend to be in wealthier households, Ms. Lyons said.

Emma Staples, a 29-year-old sales manager in Knoxville, Tenn., says she fast-forwards the commercials at a slower speed than her husband in case she wants to stop and watch one.

“I like to see what is going on in commercials,” Ms. Staples said. “Sometimes I’ll stop if it’s a preview for a movie I might want to see.”

Advertisers generally do not get to purchase particular positions in commercial breaks, even though it has long been known that the first and last position are best for brand recall. Now, networks may have to consider what happens to advertisers that follow a boring ad.

“If you have a horrible ad in the first position and it just basically drives people away, whose fault is that?” said Alan Wurtzel, president for research at NBC Universal.

Network executives said they had talked to a number of advertisers developing commercials that remain visible even during fast-forwarding. TV networks are testing to see how often DVR users remember ads even when they fast-forward through.

The cable operators are also experimenting with ads shown through video-on-demand and promotions for ads that run along the bottom of screens during TV viewing. Advertisers like Burger King and General Motors have purchased a new offering from TiVo that asks people at the end of shows if they would like to see a commercial.

Network executives said that commercial skipping has been overblown.

“When you talk to an advertiser it is like “Oh god, I’ve got to go on to the Internet because on television these people are fast-forwarding through the commercials,” said David Poltrack, the chief research officer for the CBS Corporation.

Mr. Poltrack also said that the networks had always focused primarily on attracting the most viewers to their programs. As DVRs become more popular, he said, networks will be forced to find ways to keep more people watching commercials.

Katherine Bryant, 29, owns three DVRs ? two in her home in Charleston, S.C., and one in her Oklahoma City apartment. Ms. Bryant, a dentist, said she watched more TV shows than she used to because she no longer had to sit through all the ads.

“Once you have one,” she said, “you can never, ever go back”

Pay TV Statistics

I read today that:

“Last week, subscribers to pay TV spent 60 per cent of their viewing time on the multiple channels it offers, with free-to-air channels Seven, Nine, Ten, SBS and the ABC receiving just 40 per cent of their attention.”

I thought that this was fairly interesting, there has been much discussion of the ‘ratings war’, but not much on the numbers that Pay TV are getting.

I wonder what the breakdown is within Pay TV for the Channels. I will add, that I would think I watch closer to 80% Pay TV.

Obtained from a AFL Rights article at The Age.

Any thoughts?

The other Captain Jack To 10

10 has picked up the rights to Dr Who spin off Torchwood.

Be interesting to see if they can make a go of it (it is sci-fi…).

Networks still don’t get it

From The Age:

TV program delays ‘turning viewers into pirates’

Huge delays in airing overseas TV shows locally are turning Australians into pirates, says a study conducted by technology lawyer and researcher Alex Malik.

It took an average of 17 months for programs to be shown in Australia after first airing overseas, a gap that has only increased over the past two years, the study found.

The findings were based on a “representative sample of 119 current or recent free-to-air TV series or specials”, said Malik, who is in the final stages of a PhD in law at the University of Technology Sydney.

He was previously a legal counsel for the Australian Recording Industry Association, as well as a senior legal officer at the Australian Communications and Media Authority.

Malik admitted there had been some signs of progress recently – programs such as The O.C. air within days of being shown in the US – but he insisted the overall delays had become longer.

“Over the past two years, average Australian broadcast delays for free-to-air television viewers have more than doubled from 7.6 to 16.7 months,” the study reads.

Malik also studied comments by TV viewers on various internet forums, and concluded: “These delays are one of the major factors driving Australians to use BitTorrent and other internet-based peer-to-peer programs to download programs illegally from overseas, prior to their local broadcast.”

He goes on to criticise Australian broadcasters for their apparent unwillingness to allow shows to be downloaded legally online.

“While film and music content owners have increasingly attempted to cater for digital consumers … Australian TV networks continue to appear to be unable or unwilling to change their programming policies or provide new digital based options for consumers unwilling to wait to view their favourite TV programs.”

Overseas, services such as Apple’s iTunes Store offer downloads of numerous shows from most of the major US networks, but this is not yet possible in Australia.

Network Ten is making some headroom here – its recently revamped website will soon offer entire programs for download as soon as they air, said Damien Smith, the network’s general manager of digital media.

“For some programs there will be the availability of full episodes, for others it will be highlights and short clips, for other programs it will be additional web-only content,” he said.

Ten has already experimented with TV show downloads, recently offering the series two premiere of Supernatural as a free download five days before its first airing.

ABC also offers a number of its shows for streaming through its website.

I was most interested to discover that the average delay had increased, from 7.6 to 16.7 months in just the last two years. The impression is that the networks have been aware of the problems of the world becoming a smaller place with increasing connectivity – and I’m sure this is at least in part due to the crowing they do about showing episodes so soon after they go to air in the US – but it seems the opposite is the reality.

BB

What I would have been reporting on

If we were doing the show this week, here are some of the things I would have been talking about:

Glenn Dyer (Terry TV for those who didn’t realise) gave us a nice little Raywatch:

It wasn’t the finest hour for Today Tonight and new host Anna Coren last night. Just ten days after blitzing its bitter rival, A Current Affair, Coren and the program were forced to eat a very humble pie last night.

It seems a reporter named Nicholas Boot (which sounds like a character from the Evelyn Waugh novel, Scoop), bodgied up a particularly graphic story on Tuesday night which claimed that a little old lady in a nursing home was being chained to her bed.

Dramatic stuff but then last night … ooops, no chain. It was all a stunt gone horribly wrong. According to Seven, the little old lady had asked Boot to bring a chain along to the interview to help her make a point.

How that progressed to the idea that she was being chained to her bed (implying that the operators of the home were perhaps responsible) is the subject of investigation.

What it does show is that there is no quality control at TT, no-one running a sniff test across stories and questioning them. It sort of summed up what was a schizophrenic program last night: a very good investigation about a dodgy truck operator in NSW that ran a brave ten minutes or so, the apology over the chain and then two outright plugs for Seven programs or products: Dancing With The Stars (understandable given that it is a big program) and the competition linking Seven’s new program Ugly Betty with Pacific Magazines’ faltering rag, Famous.

Or should that be Fatuous.

In news:

First primetime casualty of 2007 – The Code. Nine has “rescheduled” its first primetime program of the year and we haven’t even finished the second week of ratings. The newly developed The Code, an observational police doco series at 7.30pm Monday nights, was flicked after just three outings. Its audience tumbled from just over a million for the first two eps to a low 971,000 on Monday night. With Nine showing the Oscars next Monday night, The Code won’t be back the week after (March 5). What’s Good For You will be returning in its place. The Code was shot with the cooperation of the Victorian Police and the Victorian Magistrates Bench. It was an average attempt to match the observation style developed by Seven with Border Security and The Force, which is shot in Western Australia with that state’s police force. In announcing the return of What’s Good For You, Nine said “The Code remains in production, with additional episodes commissioned for Nine, and this groundbreaking series will return to Nine later this year.” So it is being “rested” rather than “boned”. It won’t be back in the 7.30pm Monday slot which is too important; not unless Nine runs out of product. The statement leaves open the possibility that it won’t be seen until after ratings finish in late November. — Glenn Dyer

ABC considers more Differences of Opinion. There’s speculation that the ABC could add between one and three episodes to its discussion program, Difference of Opinion. It was down to run for 12 weeks and has rated so far 462,000 and 554,000 for the first two showings. But ABC TV sources say the extra programs are not linked to demand from viewers but it would seem Andrew Denton’s Enough Rope probably won’t be back till after June, about a month later than previously believed. The exact number of additional programs is flexible, according to ABC TV sources. — Glenn Dyer

Encore screening for Insight’s Hicks special. SBS has decided to do a special repeat screening of last night’s Insight: Hicks On Trial. It will screen this Friday at 7.30pm (that’s in addition to the normal repeat times of Fridays at 2.30pm and Mondays at 2.30pm). SBS Management has decided to do the special repeat screening because of the strength of the program and the timeliness of the content. Last night, Insight averaged 201,000 viewers, while at 8.30pm, The Trial of Saddam Hussein averaged 210,000 for an hour and then at 10pm, doco The President vs David Hicks, (which is a repeat but wasn’t marked as such in the guides) averaged 233,000 for an hour and half. So did SBS management make the right decision? The President vs. David Hicks would seem to have more appeal on repeat than a fresh ep of Insight. — Glenn Dyer

All via Crikey

Eddie set to swing axe at STW-9

With the sale of Channel Nine Perth to PBL Media set to be negotiated in late March, Eddie McGuire (CEO of the Nine Network) is ready to swing the job slashing axe, numerous TV executives and industry sources have said.

Jobs are expected to be dropped firstly in senior management positions at STW-9. PBL’s eastern states counterparts are expected to take their place.

It’s no secret that Nine’s 6 o’clock news bulletin perfoms dismally in Perth, with Seven’s Rick Ardon and Susannah Carr attracting majority audience share for this timeslot.

STW-9’s local productions Just Add Water and Postcards WA are also under threat. However, McGuire has said the aim for the network’s weakest link is to strengthen the content and revenue base.

PBL offered STW-9’s operators, Sunraysia , $136.4 million for the Perth TV station early last week.

Barber bouncing back on our screens

FORMER quiz king Tony Barber is returning to Channel 9 after 16 years.
Barber, who quit Sale of the Century and the network in 1991, is being brought back to host a night of Sale’s replacement Temptation.

Barber, who has been working on pay TV and as new Carlton president Dick Pratt’s entertainment consultant and MC at Raheen, is confident he has not lost his quizmaster touch.

“Doing quiz shows is like getting on the bike or horse, you just don’t lose it,” Barber said.

He said he could be tempted to return to network television if the right project was offered.

“Quiz shows are my bag, so of course if I were asked to take part in something I’d be checking out the format carefully,” he said.

Barber’s offsider on the show, which will air on Wednesday, March 12, will be his former Sale co-host Alyce Platt. Barber and Platt will take over the show when co-hosts Livinia Nixon and Ed Phillips become contestants for the evening.

When I first read the Barber article, I missed that important a night… I thought our very good friend may have been departing.

That is all for now.

BB

NOT news

Every night it seems we are getting a “story” from Channel 9 News about the building of the pool at Rod Laver Arena. First there was a name contoversy, then Ian Thorpe came to vist, then they put concrete in, then Madam Butterfly flew in, now they are putting water in it…

Putting water in a swimming pool is hardly a news story, even in draught stricken Victoria. No one cares about the stupid swimming. I know Channel 9 will be broadcasting every tedious stroke in an attempt to claw back some ratings after 7’s pounding start to the year, BUT IT IS NOT NEWS!!!

Stop diluting your news with this hacky, cross promoting crap.

Jack Bauer Action Figure

Here’s a little something from a newsletter I get:

Kiefer Sutherland was delighted to receive his own Jack Bauer doll, sent to him by the ’24’ merchandisers, to see if he approved of the design. He certainly did approve and reported back straight away that he was particularly impressed with the realistic facial carving on the wooden prototype, before taking his balsa doppelganger on a riotous night out with his mates.

Kiefer’s friends were also impressed and used the doll in a series of pub party games, acting out scenes from the hit series with aplomb and staggering faithfulness to the scripts. Sad to say, the doll Bauer proved less durable that the fleshy version, with the result that it failed to survive such stunts as running whilst alight and doused in vodka.

A bleary Kiefer stumbled into the office the next morning only to be told that the pile of ashes in his local bar was in fact the ONLY prototype of the doll, and was the result of a master Japanese wood carver’s year full of sleepless nights and constant reworking. And yes, it was the only copy and designed to be used as a mould for the final plastic version.

With remarkable calm, he insisted the doll was safe and had certainly not been stolen, and whenever asked in future about the fate of the doll would only reply, “It has NOT been stolen,” without further information.

A year later, another prototype appeared, at which point Kiefer revealed the fate of the original Bauer and agreed to approve the second prototype by sight alone.

Media Watch Update

More cereal news (and thanks to Catbrain for giving us the heads-up in case we missed it)…

Monica Attard said at the end of last year’s series of Media Watch that they’d be back this year just as unforgiving as ever.

ABC’S Media Watch will give its victims a right of reply on air — if they dare.

The program that is loved by the public and loathed by the media returns on Monday.

Presenter Monica Attard said yesterday that invitations had been sent to seven or eight people whose work will be featured on the program, offering them a right of reply on air. Correspondence from journalists and news organisations targeted by the program is posted on the Media Watch website.

The revised format comes ahead of next month’s implementation of new editorial policies at the ABC that emphasise impartiality and are intended to ensure that listeners and viewers received a broad range of views on issues.

The Age

For as long as I can remember, Media Watch has shown correspondence, trying to follow up with the offending party as to whether it had been a mistake, giving them an opportunity to recant or reinforce their stated views.

I can see this turning out to be another opportunity for repeat offenders such as Andrew Bolt to get their head on-air, ignore the matter at hand and continue spouting their crap. Yeah, I can see why they should have that additional exposure in the name of fairness and balance. NOT!

I guess all will be revealed this Monday night when Media Watch returns.