Author Archives: admin

lowdownpic.jpgWe speak with creators of ABC TV’s Lowdown, Amanda Brotchie and Adam Zwar.

Also we review the recent HBO series, How to Make it in America. Update: We were planning on reviewing this show but ended up talking to our excellent guests for a little longer than expected. We’ll pick this up in a couple of weeks. Sorry for the confusion.

Hey you. Come and celebrate the wonder of the Eurovision Song Contest with Boxcutters.

Also you can tell us stuff: by email or on the SMS us on 0458 288 837 (0458 CUTTER).

Continue reading “Ep 224: Lowdown with Adam Zwar and Amanda Brotchie” »

Ep 223: The Circle and other stories

We don’t even once accidentally call The Circle “the Coven” but that would have been hilarious if we had.

There is a heap of other segments as well and hilarious puns and stuff. Articulate and everything. Listen:

Hey you. Come and celebrate the wonder of the Eurovision Song Contest with Boxcutters.

Also you can tell us stuff:
by email or on the SMS us your Logie nominations on 0458 288 837 (0458 CUTTER).

Twitter users: Follow us!

Continue reading “Ep 223: The Circle and other stories” »

Ep 222: Justified, TV Cliches

In the post coital-type bliss of that flamin’ mongrel Alf taking out the gold Logie, Boxcutters gets back to basics with:

  • Our take on the latest offering from non-pejorative basic-cable channel, FX, Justified, starring Timothy Oliyphant in the titular role as Justin Timberlake in a hat;
  • The shooting down of another TV Cliche seen on many many cop dramas;
  • What Daryl’s whingeing about this week;
  • A quick rundown on the winners and loser, the makers and shakers of the 2010 TV Week Logie Awards
  • Some of your Letters to Boxcutters; and
  • One game-changer of a double shot quiz.

At the tone, make your selection from the following 3 options:

When you are finished, simply hang up or send us your feedback for more options.

Your call is important to us but if you can’t wait that long, send us an SMS at 0458 288 837 (0458 CUTTER), any time, day or night.

Don’t forget to invite all your Facebook friends to become Boxcutters fans, before all privacy settings are removed and the exodus begins.

**News Just In**
*The entire episode is now available for download.
*We had a technical glitch that cut the show off prematurely.
*If you downloaded previously, reset your podcatcher and
*suck it down again.
**Thanks for yr patience.**

Continue reading “Ep 222: Justified, TV Cliches” »

3D Television in a World First

Channel 9 announced this morning that they will be airing the State of Origin series in 3D.

That will make it the first time a sports program has ever been broadcast in 3D anywhere in the world.

That’s all well and good but, as the old meditative saying goes: If sport is broadcast in a medium but nobody has the technology to watch it, is it really broadcast at all?

3D sports has the potential to be amazing but we still haven’t heard anybody say they actually want 3D television.

Still, a world first is a world first and it’s a long time since Australia has been first with anything in the world of television.

From the media release:

All three Harvey Norman State of Origin matches between NSW and Queensland – beginning with game one at ANZ Stadium, Sydney, on May 26 – will employ the latest enhancements and technology in 3D production.

Nine CEO, David Gyngell, said the project was an enormous undertaking achieved through a collaborative effort with Gerry Harvey of long-term rugby league partner Harvey Norman, with the support of David Gallop, the NRL and the ARL, together with vital assistance from the Federal Government through Communications Minister Stephen Conroy.

“It’s early days of course because the technology is still developing, and its availability to consumers right now is limited. But 3D is about to arrive with a bang across the world, and the Nine Network and Harvey Norman want to pioneer the revolution in Australia,” Mr Gyngell said.

Stay tuned as we try to bring you more information about 3D TV in Australia but, in the meantime, what do you think?

Old news we meant to cover – April 2010

Here are some news items we meant to cover on the show over the last couple of weeks but ran out of time.

Happy reading, people.

Ep 221: Masterchef, Dead Gorgeous

Nelly Thomas is back in the co-host chair after a very successful comedy festival. We discuss the changes in this year’s Masterchef and review the ABC kids’ series, Dead Gorgeous, in ‘Before and After School’.

Continue reading “Ep 221: Masterchef, Dead Gorgeous” »

Lost: The Orchestral Experience

lostliveconcert.pngIn what is possibly the coolest, geekiest, most meta-television experience ever invented*, Michael Giacchino, Oscar® winner and Lost music composer, will conduct an orchestra performing music from Lost in a live event in Los Angeles this May.

This event speaks to all aspects of my nerdihood. Are you in LA? Are you planning to go along? Please, let us know in the comments. We want to speak to you.

LOST LIVE: The Final Celebration – May 13 @ UCLA

*noted hyperbole

Bloodshed, horror and sensationalism

This afternoon Channel 9 announced a new show starting this Sunday. Not sure if they were planning this before Carl Williams was killed but it’s definitely related to their Carl Williams: Baby Faced Killer show from earlier this week.

It’s possible that they discovered how quickly they can put this kind of material together and have some solid gold ratings filler by just throwing together some old news footage and shoving Vince Colosimo in a sound booth for a few hours to read a few lines of voiceover.

Called Australian Families of Crime, the whole exercise feels like a cynical attempt to plug in to an audience’s basest interests. What once seemed like the sensational and exploitative homeland of Channel 10, with their Cops / Hard Copy programming is now wholly occupied by Channel 9.

The flag they plant to claim this land as their own is in the titles of the episodes. The first is called Milat: Backpacker Bloodshed. Shocking, isn’t it.

There is, in our culture, a fascination with the macabre. I love stories of serial killers and other true crime when they’re told well. The producers of Crime Investigations Australia, credited with creating this series, have told some great stories of Australian serial killers and other criminals. They have never, however, shied away from an exploitative production style.

It’s the speed with which this series was announced and slammed onto the air (announced on Thursday and airing on Sunday) that stinks of exploitation. Capitalising on criminal behaviour is a very tight rope to walk. What makes the Underbelly series an acceptable pulp story but Baby Faced Killer a soul-less profiteering on somebody’s horrible crimes and gruesome death? Maybe it’s just time but then the adage states that timing is everything.

Australian Families of Crime airs at 9:30pm Sunday on Channel 9.

thepacific.jpgDave Lawson tells us all about the goal of combining football and family entertainment on the Bounce.

Drew Rhodes was the location manager for The Pacific. We find out all about recreating 1940s Melbourne in 2009 and just what the hell a location manager does anyway?

Oh, and also we review the Pacific, just in case there’s not enough content in there for you.

There’ll be some news coming your way shortly.

So remember how it wasn’t that long ago we announced the death of the live studio audience sitcom? Sure, we had an axe to grind. All that fake-sounding laughter is a comedy purist’s nightmare.

Still, no sooner had we chosen the coffin and bought a beautiful wreath for the occasion than Chuck Lorre came along with Two and a Half Men. Then How I Met Your Mother became really popular. Then Lorre returned the volley with Big Bang Theory.

The single camera or non-‘laffer’ comedies are still the ones that get the most attention from us but that doesn’t change the fact that people still enjoy the old-school studio audience comedies.

The networks in the US, trailing the zeitgeist, yet again, are now throwing everything they have at the half-hour comedy.

It’s all explained in a great article in last week’s New York Times.

People like Mr. Lorre are particularly in demand this spring, amid a renaissance of sorts for the network TV sitcom, which not too long ago was pronounced terminally ill. On studio lots, where dozens of new shows are being fretted about and fought over ahead of the networks’ scheduling decisions in May, the number of sitcoms in development has spiked. “I think we’re on the cusp of a bull market for comedy,” said Kevin Reilly, Fox’s entertainment chief, whose No. 1 priority for the fall is adding more live-action comedies to his schedule.