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Hey look! Courteney Hocking wrote a great piece in the Age about how commercial radio sucks and podcasting is ace.

For those who want a bit of titillation, she does mention her (well-trained) breasts and a whole bunch of (metaphorical) cocks.

Otherwise it’s just a great read and you should be doing that of this.

Mike liked to say things like “I don’t feel like we really got the money shot” and “we want pure cream comments” and when he was illustrating a point, he would use examples like, “say your grandma is f—king a donkey”.

Read more about what Courteney reckons at the Age website. (We promise there is no autoplaying video on this page)

Ep 312: John Clarke

John Clarke is, without hyperbole, one of the most important figures in Australian TV comedy.

His latest project was a documentary series about Australia’s great sporting history called Sporting Nation, which appeared on ABC1 as a lead-up to the Olympics to which the ABC doesn’t have rights.

He tells us all about The Games, Farnarkelling, and how he manages to get TV shows to actually go to air.

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Rethinking The Big Bang Theory


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Back in episode 295 we had our own ürbernerd, Ben McKenzie, talk about The Big Bang Theory and its poor portrayal of nerds on TV. Listener David Lay sent in his thoughts and we present them here in a slightly edited form.


I recall having a first look at The Big Bang Theory when Channel 9 first started airing it (whenever that was), and not liking it enough to regard it as ‘appointment television’. My initial impression was that the show was very much laughing *at* nerds rather than *with* them. But some time later, when the hair was on fire at Channel 9 and they were all about repeats of Two and a Half Men and The Big Bang Theory around the clock, I began watching it more regularly.

I studied maths, physics, and computer science at University during the 1990s, so I felt like this was a show pitched squarely, if not, alarmingly narrowly, at me.

When Channel 9 went nuts with TBBT repeats I came to enjoy it. In the later seasons, the balance seemed to have tipped more towards “laughing with” than “laughing at”. I enjoyed it in much the same way I enjoy The Simpsons and Futurama.

And then I listened to Boxcutters episode #295 and heared it spoken of in some confronting terms like “misogyny” and I was startled. There was an initial shock of one’s personal sense of taste has been maligned, and an impulse to fly off the handle into half-cocked, HeraldSun-esque moral outrage. I’ve listened to that segment again several times over the course of the last two or three months, and it has made me re-evaluate my thoughts.

In probably more of a “the scales fell from my eyes” moment. I realise that I’ve been letting some things on TBBT slide.

Like in that episode where Howard and Koothrappali put on fake tattoo sleeves and eyeliner and go to a club to hit on goth girls. It’s easy to picture a macho-jock type date-rapist and say “now *that’s* misogyny”, but Howard and Raj preparing for a night of trying to lie their way into a one night stand isn’t materially different now that I think about it.

I managed to overlook things like this in TBBT because you know they’re so socially inept that they’re doomed to failure. I guess there’s something in the power dynamics: one tends to picture misogyny as being perpetrated by confident and powerful macho types. When perpetrated by sexually inexperienced socially awkward nerds with low self-esteem, it seems less obvious.

Although it’s taken a while for me to get to this point, I agree with what Ben McKenzie has said, and I can see TBBT from more of a distance now.

Something that still surprises me, though, is that I was so readily able to identify the misogynistic humour in other Chuck Lorre productions: specifically the Ukrainian cook in 2 Broke Girls and pretty much every facet of Two and a Half Men.

Somehow the misogyny in The Big Bang Theory ;escaped my immediate attention.

There are degrees of TV show love. ;The Big Bang Theory was “record on DVR and erase after watching”, but now it’s bumped down to “watch it if it’s on”. Community, for contrast, is “record on DVR and keep it until I get it on DVD” love.


You can send your letters to Boxcutters so we can know what you think.

Beyond the Golden Zone of Good


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Shows that are too good to watch

Like the depression that follows finishing a really good book, receiving technically faultless oral sex, or meeting someone with visible abdominal muscles, true excellence makes my heart sink.

As a rule, I will only watch shows which fall into the Golden Zone of “good enough that most people don’t like them (reinforcing my belief that I’m better than they are), but not so good that they make me feel bad about myself”.

Of course there are shows that are unwatchably bad: so bad they mysteriously become watchable again. Though shows in this category should only be approached with extreme prejudice and a pharmaceutical exit-strategy.

Breaking Bad

I watched the first episode and turned it off after the scene in the car wash. It marshals the incredible skills of many talented people for the sole purpose of making me miserable. Every character is wretched right from the start and it was clearly going to get a lot worse. The poo I did after watching it made a frowny face in the toilet.

Oz

I made it through four seasons before they introduced dogs. I will happily watch murders, beatings, rapes and the psychological annihilation of new inmates but I can’t handle anything bad happening to dogs. Yes, I am a ridiculous and awful human being.

Deadwood

So universally recommended, I somehow feel it’s pointless to actually watch it.

Freaks and Geeks

Ok, this isn’t my one. But my boyfriend refuses to watch the last episode of this show so that it’ll never really be over. He prefers to live in a universe where there’s always one more Freaks and Geeks episode out there. It makes him happy.

Eastbound and Down

I don’t like the main actor because he is this generation’s Rob Schneider – devoid of talent and only gets acting work because he has influential friends. Apparently it’s quite good. But I enjoy disliking this actor and refuse to give him a chance to redeem himself.

Doctor Who

Ha! Got you. This is actually a shit show made for children and the senile. Liking Doctor Who is this year’s Reading Comics On The Train so you can stop being so proud of yourself. The only exemption is for people who never stopped liking and watching this show since childhood. I can’t fault your endurance. Regardless, it’s not a valid conversational gambit in mixed company.

The Gritty European Crime Drama Glenn Peters Keeps Recommending*

I don’t have the time to allow Scandinavian greatness into my life. It would be opening the floodgates. Then I would get even less done than I do now. Just in case, I have forbidden myself from remembering its name.

(* It’s called Spiral – Ed.)

Ep 311: Continuum and Singing

Continuum is a future-cop procedural from Canada. We pull it to pieces to work out if it’s genius or horrendous.

Then we take a trip into the mind of a Bollywood Star contestant in Quotes.

Also, there’s a bunch of news and stuff.

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Ep 310: Myf Warhurst’s Nice

Myf Warhurst is famous from the television. That’s why we’re speaking to her. She has a new show called Nice and it’s kind of like her first solo album. We speak to her about the emotional journey.

And we look at the ridiculousness of FTA commercial news in Raywatch.

There are some great letters to Boxcutters, too.

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Girls: A review


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New Hollywoonderkind, Lena Dumham is behind the HBO series, Girls: a look at four 20-something women in New York trying to make sense of their lives and relationships.

Dunham plays Hannah, an aspiring writer who is forced to quit her internship when her parents cut off her allowance. She’s in a relationship with a guy who asks for some very particular things in the bedroom but will never go out with her in public.

Her friends are: Marnie, a gallerina who is over loved but unsatisfied by her boyfriend; Jessa, a precocious and affected free spirit who has just returned from London; and Shoshanna, reserved and younger, she looks up to Jessa and wants to be as outgoing but doesn’t know how.

The comparisons to Sex and the City are obvious: to the point where Shoshanna had a poster of the HBO series on her bedroom wall.

But the portraits of the young women in Girls is so much more real than anything we ever saw in Sex in the City. There’s subtext here: a feeling of so much more beneath the surface but not knowing how to come out.

And there’s also a big understanding of the awkwardness of sexual compatibility that we haven’t seen before.

There’s a lot of honesty in Girls. It’s a world that I would probably be a stranger to, but it is so recognisable from the friends I had in my 20s. It contains the emotional excitement and shame that is part-and-parcel with being a 20-something. I’ve never seen that portrayed so accurately on television before.

Also contained within the honesty of the show is an explicitness in the depiction of sexuality. It would be pornographic but for the ordinariness of it.

Girls, in a nutshell, is this constant masturbation with other people watching: a sense that the characters need to explore more about themselves but they are also confined by what society is expecting. Everything is an exploration and handled with a humour and drama more mature than most stories that get to the screen.


A version of this review of Girls appeared in Episode 306 of Boxcutters.


Ep 309: All SciFi TV is Rubbish

This is a very special episode of Boxcutters, recorded in front of a live audience at the 51st Annual National SF Convention. John Richards and Josh Kinal had a debate (aka a word fight) with the topic “That All Science Fiction Television is Rubbish.”

Josh took the affirmative and John the negative. Gasp and be shocked to learn the secrets behind genre television and its merits.

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Ep 308: Animaniacs and The Voice

We won’t lie to you. This is one of the best episodes we’ve done*.

In Things We May Have Missed we look at the cartoon series Animaniacs and there’s a special Crap TV that no self-respecting Boxcutters listener should miss.

Toby Halligan is in with Places We Have Strayed and John Richards brings his usual level of delight.

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Ep 307: Lilyhammer, Eurovision

Warning: This one is a bit sweary.

Lilyhammer is a fish-out-of-water story starring Steven Van Zandt as a gangster turned rat. We review the hell out of it.

Then we dissect the coverage of the Eurovision Song Contest and go home.

Josh’s voice sounds like a dying fish and that’s a noise that should be avoided.

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