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Ep 320: Revolution, Bechdel Test

There is so much to talk about that we struggle to fit it all into one episode.

We review the new show from NBC in the US (and it appears on Fox 8 in Australia), Revolution. The second "o" is supposed to be an on/off symbol but that’s too hard to do.

Also, we look through all the TV shows we’ve dealt with this year, so far, and see how they stack up in the Bechdel Test.

There are a few surprises as well so listen carefully.

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Foreign shows are not for local networks.

The huge audience drop for Homeland raises serious questions about the challenges facing traditional TV. The brutal reality is this: content that has screened in other parts of the world is increasingly subject to online piracy and other platforms that allow internet browsers to get around ‘geo-blocks’ on content.

From ‘TV isn’t broadcasting impressive numbers’ in The Age

The answer to the networks’ problem lies in this paragraph from The Age.

Local networks can no longer compete by showing TV shows from overseas if they are not offering a day and date option.

The truth has been for some time that they were never really competing anyway. They were just ignoring their own fate.

Years ago the networks should have prepared their stakeholders for a few years of losses while they invested in the local industry, developing great story-tellers, characters and a unique perspective that the rest of the world would want a piece of.

We saw it this week with the US purchase of ABC’s Rake. They’re remaking it, but it means more money coming back into our industry. It’s a return on investment that regards the entire world as a potential audience, rather than a tiny population in a very large country.

This is as much about the short-sightedness of our television networks as it is about our own pride and conviction in our stories. It’s about having goals and allowing those goals to guide decisions based on a playing long game. It’s about taking some risks and aiming for innovation rather than gentrification.

The Australian free-to-air commercial television networks balked at the first sign difficulty. It’s not too late but it’s going to take some hard work, some pay cuts and some sacrifices to learn to make local television for a global audience.

Ep 319: Channel 4 Comedy Fortnight

In the lead-up to the Paralympics, the UK’s Channel 4 presented a fortnight of comedy including some one-offs, some brand new work from geniuses you might be familiar with and some fantastic older comedy from their collection. We take a look at everything we can possibly think of to do with this.

Also, are you sick of us talking about The Newswroom? No? Excellent. Because there’s more of that.

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Ep 318: Breaking Bad & Mad Men

Courteney takes a post modern look at Breaking Bad, Mad Men with a little bit of Dexter thrown in. It becomes a fascinating discussion of the journey of men in current American TV. Fascinating!

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Ep 317: Bobby Flynn’s Reality

Bobby Flynn was a contestant on Australian Idol in 2006. Last week we lost a game show about rewarding group talent (Everybody Dance Now). We talk to Bobby about the value of such talent shows and what happens to the people we loved for those moments.

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Ep 316: Paul Verhoeven, Kids’ Gameshows

The very excited Paul Verhoeven has just spent a month hosting a children’s TV game show that he happily tells us all about. It’s fascinating. Really.

Brett has an I Don’t Buy It that brings to light many economic decisions.

Also there are jokes.

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Live: When TV Goes Wrong

Originally titled “When TV Goes Mad”, this is a live show at ACMI as part of their excellent “Live In the Studio” sessions.

John and Josh will present a trip through television that tried to correct itself by taking the most extreme measures possible.

It’s going to be a lot of fun and you just might learn a thing or two before we’re done.

We promise a lot of discussion about Chances and maybe something else.

Date: 7pm, Thursday 30 August
Location: Studio 1 at ACMI
Cost: Full $15, Concession $12, ACMI Members $11 CHEAP

Buy tickets now

Ep 315: Secret Doctor Who Animation Project

We have a guest donor in the house, Danny Oz, who brings us a story of a BBC-led Doctor Who animation project.

In an I Don’t Buy It as large as a tauntaun, John brings us advertisements from the Star Wars Holiday Special.

If we didn’t cover science fiction so often we could say it’s a science fiction special.

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Ep 314: The 30th Olympiad

Have you noticed that the Olympics is on television? It’s probably the most important time in television. Every four years we get to play with new technologies and see what’s in store for viewers. We talk about all of that and some of the advertising around this year’s Olympics coverage.

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Ep 313: The Newsroom

This week we take a special look at the new Aaron Sorkin show, The Newsroom. Passions fly and loyalty is laid on the line. We lined up some experts from both sides of the Sorkin fence to investigate exactly what it is that makes this show so loved and hated.

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